Lower Hatea River Crossing
Whangarei, New Zealand
Lower Hatea River Crossing
Whangarei, New Zealand
Client
Whangarei District Council
Programme
2011 - 2013
Design Team
Knight Architects, Peters & Cheung (Novare Design), Eadon Consulting, Speirs & Major, Griffiths
Contractor Team
McConnell Dowell Transfield JV, McRaes Global, McKay
Awards
New Zealand Concrete Society Awards 2013
Civic Trust Award 2014
Architizer A+ Award 2014
Structural Award 2014
New Zealand Engineering Excellence Awards 2014
British Expertise International Award 2014
New Zealand Contractors' Federation 2014
Building Awards 2014 (Shortlisted)
Innovate NZ: Awards of Excellence 2015
Institute of Public Works Engineering Australasia 2015
Building on sacred ground
The brief for the $32m NZ project was apparently simple: to provide a relief highway around the northern New Zealand city of Whangerai while expressing the art and culture of the local people. Except the central government funding excluded any provision for aesthetics and architecture.
The project involved a 265m-long crossing of the tidal Lower Hatea River, a popular destination for yachts. The brief required an unlimited headroom for river users and a 25m-wide opening section to allow vessels taller than 7.5m to transit the bridge.
The bridge is a rhythmic series of 25m-long spans with a central opening part. The mechanism is based on a traditional rolling bascule bridge typology, employing hydraulic actuators to raise the bridge. The structural steel deck supports are a graphic interpretation of the fish hook motif that is widely used in Maori culture. They also provide counterweight to reduce the energy consumed raising the 390-tonne lifting span.
The bridge was named Te Matau ā Pohe (The Fish Hook of Pohe, after a famous tribal chief) by the elders of the local Maori tribes, the ultimate proof of successful community engagement.
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“Knight Architects in the UK has achieved that very tricky thing; something apparently simple but extremely sophisticated. Beauty is not in the last lick of paint, nor some gratuitous addition to a quotidian structure in search of ‘iconic’ status. It is in the very heart of all good things. Aesthetics is everything.”